Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
制作可，剧作真不可，跟水形物语海报色调简直一模一样啊
动作戏算是在近年来的动画里算是比较好的批次里。。
x氏兄弟听上去还挺厉害诶，以后会不会有专门做中国网大b级片研究的啊。
从剧情和制作上确实比第一部强很多 第一步开场水猴子杀人满分 第二部开场搞成了鬼片祭祀戏码 半小时了才看到水猴子出场 怎么吸引观众
难得的完整叙事，人与鬼之间的关系交代得不错，虽然最后仍然落脚在科学上，但比第一部实在高出不少。前半部分的氛围营造还可以，演员上不多要求了，起码不出戏。忽略掉一些bug，纯娱乐还是不错滴
不知道是什么东西，反正不是电影，所谓的网大还是少看为妙，简直就是垃圾回收站
美术升级比较打眼 湾湾返校的质感 棚里的灯光跟不要钱似的打…
作为网大来讲相当不错，故事节奏紧凑毫不拖泥带水，情节流畅且有反转，演员演技在线。民国时代、愚昧山村、志怪阴谋，这些因素都完美的糅合在一起，并最终给人泪点
剧情归零，人物归零，战斗拉满，这个系列剧场版通病了，我就问你能远程启动的炸弹为什么要设倒计时啊！我真的不理解啊！
纯粹是看一下骨头社请来的各位原画师的作画了。
公式化的剧情，刨除偏见仍是一部正常水平的剧场
前半段悬疑感还凑合
《走近科学之我的弟弟是水猴子》
逻辑硬伤太多，小细节也有。打斗的一些场面还行，剧情拉胯
相较于水怪1，这个水怪2还是很有看头的，至少悬疑的部分的确有些吸引人。
不懂，韩栋的角色是打了个酱油吗🤣🤣
作为网大来讲相当不错，故事节奏紧凑毫不拖泥带水，情节流畅且有反转，演员演技在线。民国时代、愚昧山村、志怪阴谋，这些因素都完美的糅合在一起，并最终给人泪点
恐怖全靠梦境，病毒可以变水陆两栖动物，我去年买了个表
挺好！打斗燃爆！
先抛开辱华不辱华的，纯粹就是为了热血而热血的😅
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