Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
达叔的表演很卖力了，可惜这个主题已经被星爷拉到了天花板，再拍不创新内容核心的话，就注定只是个陪衬。
冲着达叔来的，看着开幕的演员表把达叔圈出来，瞬间泪崩了，怀念达叔怀念小时候的时光啊
5.金凯瑞的退休金有着落了……
演员可以，剧本可以，可看之上，好看之下。男主有点像黄轩。
最近看blockbuster看少了看这部觉得很尬 但也想通过这部讨论一下白男演员的生存空间 james marsden之前是和alexander scarsgard演稻草狗的 现在只能在这种和跳跳兔里打打酱油 感慨一下白男没啥特色演员花期太短了 照样无聊 原声甚至没第一部好 睡得很香/AMC Newport center
那个宝石的设定既像无限宝石，又像魔戒，最后的机器人反派还像反浩克装置。。。
开开心心、没心没肺，相比第一部是全面升级，非常称职的合家欢娱乐片，很可惜派拉蒙放弃了大陆的上映。
索尼克好可愛！蛋頭博士好可愛！大家都好可愛！哈哈哈
低龄向剧情，人物也有些脸谱化，感觉全片哪哪都差点意思，导致很难打上一个合适的标签，说科幻差点意思，说喜剧包袱不够多，说动作大场面差强人意，说情感流露的感情也很表面化。唯一值得称赞的是Sonic两个新伙伴的“真人化”形象满分，还原度甚至比Sonic更高。P.S.编剧似乎很喜欢cue漫威，蛋头博士如万磁王般组建理想武器，打造了一个大号反浩克装甲，西伯利亚场景提及冬兵，与至尊翡翠合体的形象形似惊队（一说超级赛亚人）
总之作为消遣看一下倒是没什么问题。
相比起前作的平庸，续集至少在特效场面上有了质的飞跃，但还是很烂，实在是不想吐槽弱智剧情了，票房高可能真的是没啥同类竞争对手，这个又很适合各年龄段一起无脑的吧
还可以，金凯利基本上就是大男主了，在喜剧领域，金凯利没有对手！
6分，复制粘贴上一部的模式，但是比上一部少了点乐趣
大话西游正片以外拍的最好的一部了，能看得见的穷剧组啊…观感一般，致敬达叔最后一部电影，该给四星
和儿子第二次在电影院看电影。他终于坚持到结束了
索尼克
刺猬与蛋蛋的对决还没完，瓦乔夫斯基家又添了新成员，能量宝石重现江湖，钢铁侠仿制品大展雄风，大象遇到了小老鼠，金色索尼克尽显威武，刺猬又赢了，一套交通信号灯集齐，力量智慧速度联手，高山滑雪海里冲浪西伯利亚酒馆斗舞，玩乐之余给了坏蛋二次打击。
可以啊，好想看到第二部啊。女主真的不错，在妖艳美女的世界难得看到淡雅的女主。
放过西游系列吧，还有金庸系列。行行好。。。
剧情一般，造境挺认真的，为了达叔看的电影🎬
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