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6 out of 7 people found the following comment useful.
A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
虽然只是重聚访谈和读剧本，但当主题音乐响起时，作为老粉的感动还是特别强烈。才知道瑞秋和罗斯原来在第一季的时候戏外也喜欢过对方，第一季咖啡馆的最初的吻，以及第十季结尾时喊卡后没有松开的拥抱，都是真情流露。虽然现实生活中已经错过，但戏里的另一个时空，他们现在很幸福。
自尊心最强的她与过去做了和解，她渴望获得救赎，而那个胆小的他这回拯救了她.两人也终于相互坦诚说出了对彼此的感情.
也许我只是看了几集，所以缺少能产生过往的美好回忆。
《老友记》是多变的时代里固定不变的时刻。看到嘴角不自觉上扬，以后装修要选一间复原场景。
爆哭！！！！人生是何等的错过和悔恨啊，懦弱又执着的人都会走下去的！！！
中二少年变大叔，那些梦你还记得吗？
看到六个人重聚确实很感慨，但是我觉得节目制作人本身没有搞清楚，观众们想看的就是他们几个人聊天谈过往，而不是一堆不相干的明星出来走秀唱歌……
"What is Chandler Bing's job?""Nobody knows really."
月上中天，梦若初见
分镜作画剪辑音乐审美都是最顶级的，拆开看某些段落也很好看，但组合在一起就愣是看不懂
eva早就完结了 这什么玩意啊 你还是去做特摄吧 我不要求你保持初心 但你也别胡做啊
开头的时候Joey进Monica房间还是习惯性的敲门
完全没有neta的欲望。庵野秀明25年前就疯了，现在更是疯到了第九层。
虽然故事细节讲得不明不白，但痞子的主旨思想很明确：人要长大，别净整那些虚的，老老实实去上班工作！三十岁在豆瓣标记的第两千部......十九年EVA粉，爷青结...等等，真的结了吗？虽然号称“再见了所有的EVA”但其实新世纪骗钱计划是不会停止的吧？别的不说，卖碇真嗣被喂同款压缩饼干的淘宝卖家无意间撞上这个机遇已经把之前囤的库存卖空了...
痞子这次依然没有收起玩心，却也在努力地回收线索，父子对决从特摄到真心为你味道甚浓的嘴炮蒙太奇，乃至结尾的线稿呈现，都以更柔和、更平静的心态做处理，真真正正地诠释了，一个创作者如何用不同心境处理同一部作品的结果：内核不再犀利，但在形式的探索上依旧先锋，手绘、3D、实景，他确实是在用着这些隐晦的方式宣告着自己涉足真人电影的野心。好像他也知道乱点鸳鸯谱有多祸害人心，于是乎用着“曾经爱过，可我们都长大了”的鸡汤搪塞过去，Q里消失的十四年依然没有太多解答，但也无需太多解释，因为他不用这么装正经，毕竟成年人就该用成年人的方式表达爱意，拥抱大胸美女，走向人生巅峰—-对于痞子来说，这样的成人礼已经够了：不再厌世，与人和解，有人相爱。再见了，所有的福音战士；再见了，那个懦弱爱哭的男孩。
一个90后跟我说，friends是不是美国版的《爱情公寓》🌚🌚🌚🌚🌚
请全程准备好纸巾盒... It’s good to know, as time goes by, something never changes.
我的老友记启蒙主要来自一本名叫疯狂英语的杂志...这次重聚特辑，不是资深粉也会看得泪水涟涟吧。第一个泪点居然是观众采访，一个墨西哥女孩说，“我以前没有什么朋友，他们就是我的朋友。”然后她说，“现在我也找到了我的莫妮卡”，另一个女孩从画外走过来。哇，我一下就哭了。主创们回忆拍摄时的种种温馨和感动瞬间，年轻时的青春神颜和中年时的沧桑成熟穿插剪到一起就已经很好哭了，大结局cut之后老友们抱在一起哭的画面太催泪了。还有那句“聚会上碰到任何一个人，都会整晚坐在一起聊天，希望同行的人谅解，因为我们彼此是最亲近的人”。优爱腾引进了还有不同程度删减也是醉了。
大家都容颜老去。有一天去cvs的时候，店里放着friends主题歌，好像这部剧要等我们这代人死了才会消失。
重聚是为了证明，这17年总有一些东西是不会变的，甚至随着时间的发酵，那种亲密感有增无减。“当我看到他们任何一个人时，就意味着，对不起，今晚我不会再和其他人说话了。”F·R·I·E·N·D·S 每个人都是彩色的一点。
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