Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
虽然这是剪辑的，但是看的就是好好哭，我的青春啊
这个剧场版……可以 但没必要 后续的剧情交代也太合家欢了吧…连三花猫和河马都能和主角团其乐融融地一起聚会…不太能理解 本来的开放式结尾已经足够优秀 这剧场版有点狗尾续貂的意思了 太强行了
为什么要做成电影？这不就是剧版内容的拼接吗
he！男主吼帅！没想到最喜欢的是最后的片尾动画。感觉真爱永远逃脱不了现实。
看过tv的和没看过tv的都沉默了。
主動去尋找自己像要的愛人，這個世界一定會滿足你的。
总集剧场版，补完最终结局。直接从1小时59分钟看就可以了。黑色童话论的都可以散了，最后片尾曲有人物情况补完。只有看过TV版才看的明白，直接看剧场版鬼才看得明白，因为时间问题已经剪得老粉都快不认识了。
“剧情弱智的黄色玛丽苏？”可是我真的很好这口儿啊！！！邻居➕财阀➕校园➕纯情➕激情……呜呼～我七十岁看这种戏也依然不腻✌️
10分钟后续剧情。
荷爾蒙飄出螢幕了，視聽感覺是很新的，但故事內核還是二十年後灰姑娘浪子回頭那一套，罷了罷了我是土狗，輕輕鬆鬆不用腦
天哪这太复古了，太过白日梦和傻黄甜甚至拉高了耻度。为拍这类电影的勇气和颜值姑且2.5分。
啧，wifi，进入信号范围内就等同进入了私人空间。四重奏里小雀钻进别府的被窝，别府也问，诶，是wifi连不上了吗？爱德华一次次在深夜闪现进入贝拉的房间，如果有wifi大概也连上了。男主长相是我的菜，性张力🈶️，不过认为男人可以不请自来进入女人的房间这就太危险了。
有的时候就是需要这样的少女剧来填充一线现实生活中消失的差不多的粉色泡泡，电影比我想象中大胆的多了，看帅哥真的是周末一大快乐！！现实生活赶紧也给我来点粉色滤镜吧！
get不到女主啊 跟踪就不说了 性转一下就是性骚扰吧 尤其是遇到妈妈做服务生的反应 这阶级差异出现这种情况不是很正常的吗...男主是傻白甜吧 说打工赚学费 哈 真是不懂物价呢。“爱情相信他们”？真是好命呢
虽然剪辑一般，剧情一般，什么都一般，但还是部很温暖的小电影
网飞一个掌握流量密码的爸爸：高颜值+古早味+脱
一定要去追番，这版只是顺了一遍故事，番的悬疑感弱了很多。这样的剪辑虽然让没看过番的也能看，但是代入感蛮差的，信息量大但是更看不进去。最后再扩充了一下结局算是没有比较就没有伤害，成功的是故事本身
男主不在我审美区，他还没有毛绒绒的金发男闺蜜可爱帅气。
富二代竟然还蹭网？bd无情却爱上？莫名其妙！女主简直就是私生饭偷窥狂，卖肉不如黑帮大佬。纯看颜。
标准的爱情片 就是某些戏份太暗了 敢不敢把亮度拉满？
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