Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
有感动，有激动，真的算是好片子了吧。
但是画面，特效，人物刻画，都十分有水准，能看出诚意来。
七分。对比于国内动漫来说，合格线以上，节奏轻快、剧情不拖泥带水，各种故事元素应有尽有，毕竟有着5000多集的积累。但是对于喜羊羊这个IP来说，还远远不够，这部动漫最大的缺点也是国内动漫的目前短板就是想象力不足，优秀的动漫作品应该包含：出色的剧情、鲜明的角色、正确的价值观倾向以及天马行空的想象力。可能与题材转型有关，框出未来在想象力比较欠缺，而且风格上有种开心超人的感觉。
吃了安利看的，剧情真的好燃！热爱你所热爱的，「梦想」这个主题，永远都能打动我心……
其实还蛮不错的 虽然我个人对篮球这项运动不是很了解 然后再加上电影中该燃的点我的感染度还不是很高 但不失为是一部十分优秀的子供向动画 虽然文戏部分很薄弱撑不起来 道理叙述稍显生硬 对于已经成年人的我 热爱一词涵盖所有已经不是我可以完全接受的了 但是 看到社畜的灰太狼 重新投入球场 不知道为什么 那股劲就起来了
不得不说，韩国人真的好会拍这种很煽情的电影，很能共情，中间哭了好几次
一整个大不理解，无法给分。同学说12年前一起看了虎虎生威，那就来画个圆吧。12年过去了，杨村没了，都进城务工了，连狼都不吃羊了。被逐出羊村的我们终于成了无聊的大人。
陪小朋友看，比较低龄，剧情也比较老套，处理的比较热血和正能量！！篮球不是一个人的运动，人不能没有梦想之类的！小宝总结了一个特点，一段回忆就代表着场上的一次爆发！！
很燃很感动，恭喜《喜羊羊与灰太狼》摆脱了幼龄化，开始做出了成年人也可以看的作品。
实质上不如说是个喜羊羊同人，套了个壳子，还是换头文学都有点OOC那种…… 但如果不考虑系列IP人物设定，作为动画片，这个打篮球的故事不深究还算流畅和比较完整吧，篮球战术什么的基本也没有太瞎搞。人身羊头好怪，再看一眼，画风也好怪hhh
没想到这么热血，这么感动，我看的热泪盈眶，而且篮球比赛好专业，好燃，节奏非常棒，羊村没有一只废羊，高光不止喜羊羊，连懒羊羊都能投进漂亮的三分球，灰太狼也支愣起来了，比赛全程高能，虽然是动画片但真的很精彩，大赞！
父女二人的表演，
伤病或许可以成为你放弃的借口
比期待的要好一点，能把我这个非篮球迷带入进去，个人评价7.0//暂且四星
意想不到的好看呢！这个题材也吸引到我。
一般般 作为全年龄段太低幼 作为运动片门槛偏高 作为爽片不够燃 套系列ip来逃避人物塑造 除了一点微不足道的成年人关切 剩下的只有口号和特效
2022.4.17 NB
还是原来的声音。
我们认识多久了？
演员演技不错，虽然某些情节略显突兀与刻意，但整体表现手法到位，在一定程度上依旧能触动人心，温暖治愈。
Copyright © 2015-2023 All Rights Reserved
