With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
没想到我看完这个电影竟然想养只狗狗😂😂😂，莱德太有钱了，各种新装备，自嘲因为周边卖的多，我要笑死了
我旁边小孩一直在喊，爸爸我要看恐龙，恐龙呢。。。擦，我也是这么想的。人比恐龙多，我的恐龙呢？前摇也太长了，仿佛在看碟中谍，这么说起来反派恐龙好歹比反派人靠谱。但是难得的爆米花片，凑合吧。
纪念一下母女俩第一次看的电影
2022年1月15日15：00
这贫穷的渲染，希望派拉蒙赚点钱补贴ST/不是
陪娃电影院系列。
娱乐性很强，看得哈哈大笑。美国人骨子里就是一群爱在大农村里野性生活的牧民和农民
四星是从小朋友的角度打的，剧情很低幼化，小朋友看的高兴就好
导演为了表现zzzq，给女黑群演，男黑群演，亚裔男群演，各一个大大的特写。求生欲满满。
故事感觉就是拉长了的一集普通汪汪队动画片，不过小孩子看的挺认真，看到阿奇战胜自己的时候哭了出来。（另外官方吐槽最为致命，忘了是灰灰还是毛毛，问莱德为什么能有钱建这~么~高的一个塔，莱德说因为我们授权卖了很多很多的正版玩具，所以我们非常有钱。）
亲子时光，我睡着了一会，小朋友看得很投入，他印象最深的是阿奇小时候被抛弃了。
连这个都能把我看哭，服了，但真的好看啊，粉了
- “绿色代表走！”
@缤谷广场 with小尧 老母亲带娃看动画片，破格打四星。作为一部儿童电影，还是不错的，逻辑呢则是不存在的。汪汪队的装备都巨牛逼啊，完全是来炫技的。
哈哈哈儿童电影的好莱坞，不错不错，大人也能看看，陪崽子不会太无聊。
陪女儿看的 前半部比较弱智 后面拍出了幼儿好莱坞大片感 女儿很喜欢
想起了芝加哥。密密麻麻的高楼。过度解读出米ZF乱来警察靠狗狗的意味。
有了孩子以后没办法，3.8带着女儿和媳妇看的，还是宝宝巴士上看，毫无剧情，把那些烂装备垮了整整一个小时。
娃去电影院看的第一部电影，汪汪队忠实粉丝。
陪孩子看的，原以为会在电影院睡过去，结果全程看得津津有味，虽然情节简单但不降智，找回了久违的童心，是一部不错的合家欢电影。
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