这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
喜欢NBA的人很开心，我这样的小白也看得挺high，给个五星吧，励志总没大毛病
喜欢这个导演 真的是玩梗高手 尤其黄段子敢玩却不低级 喜剧滑稽还是看得法国 巴黎圣母院的梗真的是哈哈哈｜д•´)!!
还挺好笑的法国喜剧电影。车祸失忆的演员以为自己是一个行侠仗义的英雄，各种巧合使得他不仅抓住了坏人，找回了爱情，还完成了电影拍摄。剧情不复杂，桥段蛮有意思。搞笑走的是恶俗路线，把漫威、DC那些超级英雄恶搞了一通，不仅没放过汤姆·克鲁斯，也没放过巴黎圣母院。最厉害的是电影里的吸尘器植入广告，可以成为其它电影学习的榜样。
恶搞了一大批超级英雄 电影《小丑》里的小丑 蝙蝠侠 蜘蛛侠 万磁王 魔形女 金刚狼 银河护卫队 绿巨人 钢铁侠 美国队长 雷神 还致敬了斯坦李老爷子 还有《回到未来》
法式恶搞三俗大电影……整体倒是挺用心的！可看性还可以的！
戏谑得很到位。
現實中的我們，大多和男主一樣。四體不勤，五谷不分，保持善良已經難能可貴。即便網上敲打鍵盤，自信遇到有人在燒烤店行兇，必定拔刀相助。現實碰上，恐怕還是免不了考慮自身安全，擔心遭到訛詐……不知不覺，也就成了“沈默的大多數”。
蕴含太多梗了，难得的看外国片能笑的如此开心！
有几处笑点笑的非常开心，这样爆笑的电影不多了。
2022.7.5 其实看法国的现代喜剧片观感会有一点点怪，看原版但总有种有种译制片的感觉，蒙上了奇怪的下午的味道
献给篮球的一首诗，波士顿的小伙子们加油吧。
该说不说，其实平平，但是要多给半星是给亚当桑德勒，还有半星是给题材，近三十年了很少能看到篮球球探题材的电影，看来美国运动橄榄球第一、棒球第二、篮球第三…所以前两项看了很多很高分很经典的各类题材，所以篮球几乎是头一次，也是够难的
够套路够热血，但剧情简介就一派胡言，他们哪是只有一次机会，明明是一次一次又一次机会，中间还夹杂着半个月特训的魔幻桥段，我一度以为是安西跟樱木为全国大赛奋斗呢。
很好玩。演洛儿的那位有没有一点小泽塔琼斯的味儿啊？
在一帮电影原教旨主义者为了「漫改片是不是电影」撕来扯去的时候，法国人用一贯的烂笑料和敬业量产垃圾剧本揉成一个牵强喜剧，竟然带着浓浓的迷影味道。看的让我甚至回味到了《大饭店》《虎口脱险》那个feel。这种尽心尽力娱乐2000后观众，把电影当个「戏法」的低姿态，还真是挺可爱的。烧圣母院都能恶搞，服气。
从DC到漫威，超级英雄被恶搞的体无完肤，笑点烘托的很到位，虽然故事显得很俗套。
有点早年歇斯底里的白头神探感觉，是那个味儿。老鹰叼小孩，倒挂接吻，汤姆克鲁斯片场中枪的屁股，戏谑轻松。
全无惊喜，非常套路的体育成长励志片，众位球星名人本位出演算是最大的看点了吧，然而最失望的地方是亚当桑德勒继原钻的惊艳转型之后，这次又回到了舒适区
吸尘器的广告，简直就是天作之合，我以为这只是个梗，没想到一直到后面都会表现
喜欢这个导演 真的是玩梗高手 尤其黄段子敢玩却不低级 喜剧滑稽还是看得法国 巴黎圣母院的梗真的是哈哈哈｜д•´)!!
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