The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
游戏部分拍的真不错，现实部分也不算拉垮，还不错
还原度和代入感都拉满了
但是總是在開口的前一刻就開始恐懼
还好吧，有感动的部分。配音不错。副cp戏份少哇。画面一般，剧情比较老套。西班牙语我听不懂的都感觉到不标准了哈哈哈
本片没有在影院上映是同期院线电影的幸运，枪战的视觉效果玩出了新花样
沒辦法跟自己身邊的親人交流
网大的水平里还行
家庭和个人原因造就了女主不自信，撒谎以及各种无语行为。女主演的还行 就是这种青春片团圆结局都看腻。
完成度蛮好，各种套路用和情绪用的也刚好，作为一部电竞电影还是挺出彩的了，赞一个。
如果不会做舞蹈画面，很简单，那就别出舞蹈主题啊！！！什么玩意儿，敷衍得很。好消息是美术好了一丢丢，黑线阴影没了，坏消息是剧情还是一样得拉🥲童年好友一上来就对男主各种insulting，准太管都不管… 极度厌恶这种类似于雌竞的桥段。
對方總能承接住自己的情緒
對方總能承接住自己的情緒
对ADHD的症状有了更直观的认识，情绪不稳定的人也许不适合恋爱，但她们可以爱
j骑车去找a的时候减速带不减速被顿的一下子狠狠地戳到我了哈哈哈哈
—What kind of person am I?
好看呜呜呜，太他妈好看了，全程get那种，配乐也好。我心里的五星。
。
虽有一定的剧情硬伤，故事也是俗套的屌丝逆袭，感情线部分也略有拖沓，但无碍它作为一部给吃鸡玩家的献礼片。
尽管自卑，不知所措，
主角设定跟无可救药里的挺像，都是慌慌张张、局促不安，无可救药是怕被拆穿真实身份，这里是多动症，各种让人抓心挠肝的尴尬小细节也一以贯之了导演的个人风格
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