Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
5/13/2022 爬隧道 关在密闭空间 只有水路一条 我的噩梦集一体 要窒息了
跟《灰影人》一样，一流的卡司拍了三流的电影，故事太老套了，但钱也没少投。皮特客串五分钟是唯一的亮点。
看的很开心，有冒险，有浪漫，有风景，有钱老板的屁屁，养眼养眼。
虽然很typical，但是让帅哥美女演傻逼真的很好笑，这部的查宁就是瞒天过海美人计的安妮海瑟薇。
两分给皮特从容赴死
依然是过时笑点的堆砌，最大亮点可能是皮特的片段。
时代变了 女性拥有头脑和理性 而有美貌和身材的男人负责柔软和甜美 哪怕是政治正确或是商业目的也很好 轻松的下饭片子 人老了就爱看点不动脑子还甜的 另:钱老板这身材跟cg一样无可挑剔
这个女主演过不少喜剧，讲真的真不喜欢这个婊砸
在影院的时候脚趾都要抠出三室一厅了…过分滥俗的剧情以及服装…男女主人公之间莫名其妙的爱情…以及男主人公前后不一致的性格行为（前半部分像基佬，后半部分又突然爆发），哈利波特真的不适合演无脑反派啊…都21世纪了，还要拍这张烂俗无脑探险爱情电影吗…
笑点挺傻的，却又很受用。整体还有点意思，当然，前提是倍速。
可是，本来最没有存在感只负责蠢的男主角艾伦几句话却是影片唯一的亮点。的确，人人都可以嘲讽花瓶，却没人去了解花瓶。艾伦自从做了傻大姐小说的男花瓶一度抬不起头，几个月不敢联系自己的家人朋友。为了生计他不得不接这份工作，却觉得羞耻。直到他发现，原来读者那么喜欢他，因为他的存在而高兴，他找到了这份工作的意义。
前半部分挺好笑的，皮特演了个《阅后即焚》式的角色。
桑德拉布洛克这姐已经58了，震撼了，不得不Respect。
桑婆还是厉害，不管什么年代演这类型电影都自带好笑滤镜。
所有人都好像心不在焉的推进着主线，是我的笑点。
这不是个探险片啊，哎，勉强算是吧，爱情探险好了
也没有那些自媒体说的那么差啊 本身我是不太喜欢什么寻宝啦 丛林啦这样的东西 但是全篇看下来就是一个轻松的流水线作品 还有皮特耍帅
桑婆从最拿手的爱情喜剧换到了寻宝路线上就不太灵了，各种俗套和尴尬，最擅长的喜剧元素也消失了大半，论场面和故事呢似乎还不如<神秘海域>，真的就浪费了一个全明星阵容
有时候 不是你想让谁睡着 就能马上睡着的 毕竟皮特哥哥有练过
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