Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
星战加失控玩家的调调，还可以但是寡淡的就像工业流水线上的定价商品。
及格水平的合家欢电影。跟科幻关系不大，主要还是讲家庭和亲情。
剧集做成电影，质量还不如剧集，蒲公英是在茎部断的么….给孩子看其实更应该追求点细节，加油吧，儿童片
三个RR一起吵架的时候真的好！吵！啊！Again他是不是只会演这一种角色
别想逻辑了，就是个全家欢，不过把死侍、卡魔拉和绿巨人凑在一起是要搞哪样，何况还是个科幻题材，很容易跳戏，瑞安的特点就没啥变化，感觉啥片都是一个样，能不能换个方式，是戏路突破不了么
第3466-还是绿皮肤的卡魔拉顺眼，第一印象太重要。
给三星都算是多给的吧，故事太平庸了，就是爸爸后面出现的情节还有一些温情加分吧～～～
我也不知道为什么要看，但这玩意给我看哭了！
原本以为我女儿一把鼻涕一把泪，结果她全程纳闷儿为啥我哭的一把鼻涕一把泪。。。。。。
流水线中的流水线。。漫威人外出打工集合。。詹妮弗加纳 看着也不算老
虽然是很儿戏的穿越，但是作为爆米花电影还是合格的。
陪神兽去影院观看的。我个人一直都蛮喜欢萌鸡小队的，觉得它三观正常、画面和音乐精良，配音生动，是国产动画里称得上优秀的系列作品。这部电影对母子、父子亲情的表达直观细腻，也直击人心。另外坏猫咪和老鼠父子都很有意思。
单独陪丫丫看的第一部电影
格局太小，都能跳跃时空了，还局限在那么一点点的范围上...人类的征途是星辰大海啊
孩子第一次在电影院看电影，真的很不错，鸡妈妈能文能武啊！
年轻的凯瑟琳的脸太吓人了 太太太吓人了 2022年特效做这么次也是醉了
超级英雄合家欢 还行吧 大爱丛林中的房子 庭院也太棒了！
算是我看过最差的时间旅行的电影之一了，剧本极其敷衍。
it's literally piles of shits
喜歡，很完整，情感也有在，最喜歡最後亞當回去原本時空後，剩下知道自己將死的爸爸在庭院的一幕，真正的寂寞，一個英雄爸爸能做的莫過於此。但回頭看大多人評價不高也可理解，因為這裡面很多是創作者設定好的情感，儘管是真的卻還是少了有機性。
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