Living with her father and stepmother in Naples, Anna is very unhappy as her stepmother hinders her attempts to live her own life. While her parents are away, she goes out with Carlo, but finds herself locked out when she comes home. This angers Carlo and he asks Anna to go away with him to Rome, where he plans to liquidate his business assets in order to have money for marriage. He quarrels with his partner and is implicated when his partner is found murdered. Although innocent, he is convicted and given a long sentence. Anna has a child and, finding it impossible to support her child , returns to Naples. The stepmother's conditions are that before she will agree to house the child, Anna must commit herself to a reformatory for unmarried mothers.
I don't know.
2020我们以为是一场意外，2022年的春天，这又是一场被后世如何评说的当下呢
同学们的议论 学校组织的讨论
生拉硬拽扯到了纳尔逊曼德拉头上，整个抓捕过程警察也太水了些。
结尾很奇妙的升华了主题，爱真的是美好的不分性别的情感。遗憾，谎言，背叛，又或是死亡，好青春啊。
虽然两位都是我喜欢的演员，但我还是更推荐剧版情感描写更细腻
生拉硬拽扯到了纳尔逊曼德拉头上，整个抓捕过程警察也太水了些。
改编并不出彩，剧本对于事件现场和南非社会两个尺度下种族冲突的平行刻画都很肤浅，但看得出导演和编剧在质感和节奏上，有意努力模仿同经典的题材/同类型电影，这方面《血腥星期天》是标杆。作为一部中低成本时代背景电影，视觉还是很良心的，尤其是服化道。值得一提的是，前南非军队特战军人创设的G73 Tactical Advisors战术/安保机构为该片提供了警务指挥与战术顾问、演员枪械训练、警察特技群演、警用服装/装具、警用载具（包括直升机）。
卧槽好看啊！山田杏奈领奖时候那段发言给我干湿了。摩天轮表白那段拍得也很妙，看到后面汤连得那段又倒回去摩天轮看了一遍。
黑人兄弟们在获得某种程度的平等和自由后。风靡世界的“黑命贵”运动又走向另一个极端。
孩子啊，莫自责，莫强求，
8 小场景大故事 引人入胜 种族斗争 给力
这片子评分有点低啊，个人赶脚挺不错的，黑与白，自由，人类，演员演技也不错
站在台上那段确实给我看哭了 在众人面前剖析自己真的很佩服 以及完全没找到矶村勇斗在哪
温情满满的劫持人质事件，最后曼德拉出狱了，这是改庆祝还是……
我不普通？我不正常？
结尾的红光有点血色浪漫啊 for freedom
自由的代价如此昂贵，黑人白人都不乏优秀儿女
苦大仇深黑哥们的故事快看吐了 再结合南非如今发展的“成果”……
哪里有压迫，哪里就有反抗。毛主席说过，星星之火可以燎原。
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