"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
温子仁恐怖气氛的渲染确实厉害。
无聊，拟人化演唱会，分不清到底是人在唱还是人在做作。
可能是我期待值太高了，猩红女巫在里面成了反派，而且是因为一个“小我”的事情才成了反派。让我觉得特别膈应。可能看他们之前一直“大我”的并肩作战久了
还挺喜欢这种形式的新型整砖纪录片，伪现场+歌曲+歌词同时呈现，眼睛、耳朵和心灵都得到了享受，同一首歌听起来感觉完全不一样。
女巫寻亲之会有别人替我爱你。旺达太厉害了，不能被打败，只能被劝退。墨西哥裔的宝贝女主名叫America，这真的不是刻意选的吗？一群人保护America，争抢America的超能力，啧啧啧啧啧。
《Therefore I Am》的交响乐版，听的劲儿劲儿的。
莫名其妙的开头，各个宇宙的怪物怎么来的，美国女孩又是怎么被发现她的超能力的，反正剧情就这样很凌乱的展开了。
于是我们看到了阿基多《夜深血红》中的恶灵，柯南伯格《灵婴》中的畸形怪婴。到了温子仁手中变成了现代医学可以解释的科学悲剧。一部散去了相对于温子仁来说不算恐怖的恐怖电影。反而向场面调度华丽的铅黄电影走去。又是一场十足的杀戮爽片。于是便不再那么具有特色了。但是对于大量影片类型的结合出色展现，值得好评。
青少年表现出的某些释怀其实只是一种自我保护机制
很像80年代的电影，大量鱼眼镜头是为了致敬什么吗，结局还是很好猜的
仅个人，复联4之后的漫威top。恐怖元素还蛮到位的，对于我来说，在电影院真的有被吓到x特效感觉花了不少钱，客串角色感觉有一点仓促就领便当了。最后！"love you in every
动画形象是不是
20220402：因为太喜欢所以还没隔多久就又看了一次。太完整了，本身专辑曲目很有连贯性，且风格多样。动漫形象也做得很好，转场加分。
全场一套黑衣服不够惊艳，卡通人物客串全场。
其实并不是特别恐怖，血腥是血腥了些，而且看到了加百列的真面目，这个以堕落天使为名字的怪物。一开始的悬念设置得还是不错的，到后半段的谜底揭开，倒让我想起了三池崇史的《鬼伎回忆录》。
万物皆可多元宇宙，整体还不错看，少了乱七八糟的回归亲情主线。让人惊喜的反而是gore和jump scare的运用，让这部邪得恰到好处，夏日避暑好去处。
哈雷彗星比原版还要再上一个台阶
还是可以的，温子仁的风格还在，个别场景也是蛮好，就是这个故事整体表达方式感觉不够力度
我说怎么没那么恐怖，关键时刻的镜头总觉得少了点什么，原来我看的是删减版我去……
好无聊啊。。。扣一星因为设定太像超凡双生了
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