大概是法国第一部描写女同志的故事片吧。
Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.
French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
Tv版本11-14
讨厌编剧，写死xxx 古迪子缺席 小茶杯勾引玛丽这三点真要命
第一部就觉得有些无聊 第二部也就平平无奇不知道为什么评分这么高
Dreams came true.谁叫我是粉丝呢！
情怀是好的，唐顿庄园的火炬也传了下去。但是唐顿庄园这种琐碎日常的故事还是更适合电视剧的节奏吧，用一部电影讲述还是有些仓促，太想把每个方向都讲好了，就很有可能每个方面都不细致。
好看好看，挺喜欢日式动画片，鬼灭人气高，业余时间不禁多看。
这一集就还蛮……崩的。
鬼灭之刃的艺能 把tv合成剧场 把剧场拆成tv
一个旧时代过去，一个新时代来临，唐顿庄园的故事还能继续。
看最后交代众人结局时意识到就Thomas的情节全被删了，搞得我一个人在影院一边哭一边气一边笑。唐顿众人的逻辑就是家好我也好，对传承的认同感太高以至于其他什么都可以让步，从剧看到两部电影都会在对比里觉察到自己精神的无根状态，不过说不上好也说不上坏，毕竟生活在这里指望去认同啥，一个连1920s几分钟男同情节都要删得一干二净的意识体吗？那未免太好笑了。
8/10.
整体还行
一半跑去南法继承遗产
永远都会为唐家屯的温馨落泪，玛丽配音时、莫斯利求婚时、奶奶离开时……看着他们一步步地跟着时代变迁和进步，却又有着始终坚守的品质。 应该是全系列最终曲了吧:-(
没看电视的人在此，单看这电影的话有点寡，景色很美服装也美
看到他们又有新的生命诞生，又有人喜结连理，也又有人离去，仿佛也感受到自己作为它们的一员，又陪着这个家族迈向了new era。看着小西比小乔治长大，自己的年华也在悄然流逝了。
编剧真是难，要如何让一个不能来演的演员的角色不至于又被写死，又要让一个将死的角色还继续拥有故事。
每一集新的都能翻出花来，又是感动满满。希望可以继续拍下去拍到Mary变老。
（TV动画第11话~第14话总集篇。）
从开头就开始爆哭，两个小时眼泪没停过，but u know, we have to move on
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